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Abece “K”
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.

Suburbia 1, Espinca bifida #3, Laconista7
© » KADIST

Johanna Calle

Drawing & Print (Drawing & Print)

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images.

The Call
© » KADIST

Helina Metaferia

Film & Video (Film & Video)

By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements. In the project, Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. The Call is an ongoing video project of performances by descendants of prominent civil rights activists across the United States.

Cosmic Call
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

In the first part of Cosmic Call by Angela Su the voiceover proposes in a neutral, documentary-like tone, a series of stories to rethink the way we usually understand, justify, or place blame for epidemiological events. Comets carrying an infective bacterium are linked with the invasion of viruses—our current nemeses—coming from outer space. Second-century BCE medicinal writings correlated the appearance of 29 comets over 300 years with events including plague and drought.

The Calling
© » KADIST

Angelica Mesiti

Film & Video (Film & Video)

Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world. The three-channel work focuses on traditional whistling languages and shows the communities of the village of Kuskoy in Northern Turkey, the island of La Gomera in the Canary Islands, and the island of Evia, Greece, where such languages are all still in use. For these communities, whistling languages are in a process of transformation from their traditional use as tools for communication across vast lands into tourist attractions and cultural artifacts and are being taught to local school children.

Angela Su’s True Calling
© » KADIST

Angela Su

Film & Video (Film & Video)

Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.

He counts the stars and call them all by name
© » KADIST

Robert Zhao Renhui

Photography (Photography)

Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr. Martin Hauser, Senior Insect Biosystematist at the California Department of Food and Agriculture and longtime acquaintance of the artist. Worldwide specialist of hoverflies, Dr. Hauser collected the insect and meticulously sorted them out. The label below each fly indicates the country where it is from, its species, its size, etc.

Spaniards Named Her Magdalena, But Natives Called Her Yuma
© » KADIST

Carolina Caycedo

Film & Video (Film & Video)

In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia. Extending beyond the documentary form, the work illuminates social power structures and control mechanisms, particularly in connection with the activities of multinational corporations: images of controlled bodies of water are spliced with footage of urban crowds, visualising overlaps in the ways these various bodies are managed. The film is overlaid with the narrator’s voice whispering in Spanish and English, speaking of the artist’s personal perspective, and her own experience with a river she has known since childhood when family lived by its edge.

Why do you call me when you know i can’t answer the phone
© » KADIST

Dineo Seshee Bopape

Film & Video (Film & Video)

Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken. Exploring the metaphysical landscape of secrets, lies and psychosexual ambivalence, this work is an attempt to create a site for contemplation. The video ventures to provoke a rhythmic trance through transporting the mind into a distant illusionary world constructed by vignettes of fractured spaces.

Calvin Warren calls it an 'ontological equation'/or methods of estimating the odds to rise in the coming centuries
© » KADIST

Kameelah Janan Rasheed

Photography (Photography)

Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W. E. B. Du Bois’s iconic data portraits in The Exhibit of American Negroes . This was a landmark exhibit within the Palace of Social Economy at the 1900 World’s Fair in Paris that demonstrated the progress of Black Americans through the visual display of quantitative sociological information.

LAB
© » KADIST

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Canoas
© » KADIST

Tamar Guimarães

Film & Video (Film & Video)

Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity. The main subject and setting of the film is Casa das Canoas, the home that architect Oscar Niemeyer built for himself in the early 1950s. Overlooking the bay on the outskirts of Rio de Janeiro, the building has achieved iconic status in Brazil.

Hearsay of the Soul
© » KADIST

Werner Herzog

Film & Video (Film & Video)

Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers. The work is a four-channel digital projection of Segers’s artworks accompanied by the emotive music of the Dutch cellist and composer Ernst Reijseger. Herzog sees Segers’s vast landscapes as powerful representations of our own interior worlds, resounding with feelings of anger, joy, fear, and loneliness.

2016 in Museums, Moneys, and Politics
© » KADIST

Andrea Fraser

Drawing & Print (Drawing & Print)

The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor. With this database as well as other types of information, the 900-page book presents a material representation of the scale of the cross over between cultural philanthropy and the financing of political campaigns in America. It also provides an unprecedented resource for discovering the political leaning of the museum sector.

Tarantism
© » KADIST

Joachim Koester

Film & Video (Film & Video)

Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula. This bite caused various symptoms, such as nausea, difficulty to speak, delusion, excitability and agitation. The victims suffered then from convulsions and the only way to heal them was to engage in a frenzied dance, as it was believed.

The Fifth Quarter
© » KADIST

Toby Ziegler

Painting (Painting)

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means.

Sound of Ice Melting
© » KADIST

Paul Kos

Installation (Installation)

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

Photography (Photography)

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.

Controlled Incidents #1
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.

Feet Under Fire
© » KADIST

Lungiswa Gqunta

Film & Video (Film & Video)

Feet Under Fire by Lungiswa Gqunta depicts the artist’s lower legs swinging in and out of frame, above a bed of charcoal. She wears a pleated white dress, two identical white anklets, and a set of bristle brushes as shoes. Affixed to the base of each scrubbing brush is a black strap so that the brushes don’t fall off of her feet.

Choke
© » KADIST

Jennifer Locke

Film & Video (Film & Video)

Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.

Cosmovision V - VI - VII
© » KADIST

Rometti Costales

Drawing & Print (Drawing & Print)

The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives.

Related 3a
© » KADIST

Anthony Goicolea

Drawing & Print (Drawing & Print)

Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America. He then mounted the drawings on trees, telegraph poles or buildings and photographed them. Taken in these situations the drawings appear like advertisements for lost people or even posters for wanted criminals that of course conjures up images of loss not only of boat people but those who perished in other disasters, whether natural catastrophes or 9/11.

National Landscape (House of Services)
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

East of Ukraine became a place of armed conflict with Russia-backed separatists, who proclaimed parts of (the) Donetsk and Lughansk oblast (administrative region in Ukrainian) to be ‘People’s republics’. This region, in conflict since spring 2014, is where most of the charcoal is extracted. It is with this same coal that artist Nikita Kadan realizes this drawing in 2018, representing a field on which is juxtaposed a small photograph.

El mar y sus múltiples afluentes
© » KADIST

Adriana Bustos

Painting (Painting)

El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade. The piece represents an apocryphal river and illustrates the routes of the slave trade between the coasts of Africa, Europe, and South America, departing from the Congo River (once called Zaira), and arriving at Río de la Plata, the main river in Buenos Aires that divides Argentina from Uruguay. The work collapses time and space, placing the coasts of colonial empires across the colonies where slaves were taken.

Controlled Incidents #2
© » KADIST

Nikita Kadan

Drawing & Print (Drawing & Print)

Ukraine is under tension due to the politics of President lanoukovitch since 2010. Numerous passive demonstrations against the government have led to numerous police repression of the protestors. The demonstration ‘Euromaïdan’ in 2013 is a perfect example.

Related 3b
© » KADIST

Anthony Goicolea

Photography (Photography)

Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America. He then mounted the drawings on trees, telegraph poles or buildings and photographed them. Taken in these situations the drawings appear like advertisements for lost people or even posters for wanted criminals that of course conjures up images of loss not only of boat people but those who perished in other disasters, whether natural catastrophes or 9/11.

Untitled
© » KADIST

Bernard Piffaretti

Painting (Painting)

Bernard Piffaretti was born in 1955 in Saint-Etienne. He graduated from the school of Fine Arts of Saint-Etienne, and he now lives and works in Paris while expanding his carrier internationally. Like On Kawara, Stanley Brouwn or Roman Opalka, Bernard Piffaretti is also a “protocol artist”.

Photojournalist With Two Cameras
© » KADIST

Leung Chi Wo and Wong Sara

Photography (Photography)

Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras. January of 2010 was a time of pro-Democracy demonstrators called for the release of activist Liu Xiaobo, drafter of the Charter 08 manifesto calling for the end of authoritarian rule, was sentenced to 11 years in prison one month earlier. Leung’s isolating and highlighting of the photographer by bringing him from the original photograph’s background to the foreground of his studio shot calls attention to the two older cameras and the journalist’s retro-style clothing.

Carlos Amorales

Prabhakar Pachpute

Prabhakar Pachpute calls attention to issues concerning land politics, industry, and labor through a multimedia practice that includes drawing, painting, sculpture, animation, and murals...

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Luisa Lambri

Nikita Kadan

Trained in large-scale painting, Nikita Kadan’s artistic practice encompasses installation, graphics, painting, wall drawing, and urban postering, sometimes in collaboration with architects, human rights activists, and sociologists...

Xu Tan

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Anthony Goicolea

Goicolea, a first generation Cuban-American living in New York, makes work that explores his conflicted identity and the recent history of the Cuban people...

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Dread Scott

Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society...

Runo Lagomarsino

Clarissa Tossin

Johanna Calle

Adriana Bustos

Adriana Bustos creates a narrative discourse through installation, video, photography and drawing, in which her reflections on prevailing social, political or religious oppression appear in non-linear interpretations of history...

Lam Tung Pang

Lam Tung Pang uses both traditional and non-traditional Chinese ink techniques and materials for his landscapes, referencing notions of collective memory that relate to specific sites...

Charwei Tsai

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Toby Ziegler

John Morris

John Morris practices what critic Allan Weiss calls “ poetics of the ad infinitum” an ecstatic but precise doodling in which handmade marks stand for unrepresentable holism...

Lungiswa Gqunta

Lungiswa Gqunta’s practice addresses issues concerning South African post-colonial culture and the country’s contemporary political landscape...

Sadie Barnette

Sadie Barnette’s practice calls attention to family and community histories through photography, drawing, sculpture, and installation...

Song Ta

Song Ta engages various mediums, including video art, installation, drawing, sculpture, photography, and calligraphy in his practice...

Carolina Caycedo

Carolina Caycedo’s work triumphs environmental justice through demonstrations of resistance and solidarity...

Bontaro Dokuyama

Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...

Kori Newkirk

Basma Alsharif

Basma Alsharif is an artist and filmmaker of Palestinian origin, born in Kuwait, and raised between France, the US and the Gaza Strip...

Robert Zhao Renhui

Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...

Andrea Fraser

Fred Wilson

Angelica Mesiti

Splitting her time between Sydney and Paris, Angelica Mesiti is a video, performance, and installation artist of Italian origin...

© » ARTNEWS

about 3 months ago (02/09/2024)

The Best Artist Presentations at Salón Acme Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All February 9, 2024 1:29pm The entrance to Salón Acme in a Porfiriato-era house in Mexico City's Colonia Juárez...

© » OBSERVER

about 3 months ago (02/06/2024)

A Guide to Mexico City’s Art Scene | Observer Avenida Paseo de la Reforma is the backbone of Mexico City, its tallest skyscrapers lining the boulevard like a great set of vertebrae, a spine occasionally punctuated by the chakras of enormous roundabouts at the center of which stand statues of Diana the Huntress, the Angel of Independence, las Mujeres Que Luchan (The Women Who Fight) and others...

© » FAD MAGAZINE

about 3 months ago (02/05/2024)

Women In Art Fair 2024 Open Call...

© » TWOCOATSOFPAINT

about 3 months ago (01/30/2024)

NYC Selected Gallery Guide: February 2024 – Two Coats of Paint Margot Samel: Cathleen Clarke, Wrong Side of the Bed, 2023, oil and acrylic on canvas This month, make sure to double-check gallery addresses because some have changed locations...

© » SLASH PARIS

about 3 months ago (01/17/2024)

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...

© » SLASH PARIS

about 3 months ago (01/17/2024)

Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exhibition Drawing, installation, mixed media Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Ends in about 2 months: February 3 → March 30, 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...

© » ARTNEWS REVIEWS

about 4 months ago (12/21/2023)

2023 in Review: A Glut of Picasso Shows Taught Us Nothing Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All December 21, 2023 11:00am Pablo Picasso in 1971...

© » ARTPRESS

about 4 months ago (12/18/2023)

sommaire du n°517 - janvier 2024 - artpress X 18 décembre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°517 – janvier 2024 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour janvier par ici ! Édito 5 Lacan, le style Lacan, The Style Catherine Millet INTRODUCING 6 Elina Stoflique Étienne Hatt Chroniques / Columns 11 Des expositions qui donnent à penser Exhibitions That Give Food for Thought Catherine Francblin 15 La vérité en face Facing the Truth Aurélie Cavanna 19 Une épiphanie An Epiphany Colin Lemoine Point de vue / Opinion 22 La Coupole, le vivant et l’épée The Coupole, the Living World and the Sword Annabelle Gugnon DOSSIERS 24 GRANDE INTERVIEW Richard Mosse, au-delà de l’image Richard Mosse, Beyond Images Interview par Aurélie Cavanna 34 LACAN, L’EXPOSITION LACAN, THE EXHIBITION 36 Là quand sexe pose Lacan exposed Annabelle Gugnon 41 Réfléchir ?...

© » ARTSY

about 5 months ago (12/14/2023)

The 10 Most Expensive Works Sold at Auction in 2023 | Artsy Skip to Main Content Advertisement The Most Expensive Artworks Sold at Auction Art Market The 10 Most Expensive Works Sold at Auction in 2023 Maxwell Rabb Dec 14, 2023 4:18PM While 2022 at auction was a “ return to routine ” after the COVID-19 pandemic, 2023 was a year of more subdued action under the hammer...

© » MOUSSE MAGAZINE

about 5 months ago (12/12/2023)

“If You’re Reading This, I’m Already Dead” reaches into the different kinds of agencies that are found in bodies otherwise thought to have none, bodies whose...

© » DIANE PERNET

about 5 months ago (12/08/2023)

Confronting Mortality: Sophie Calle’s Personal Exhibition at Musée Picasso – till January 7, 2024 – A Shaded View on Fashion Dear Shaded Viewers, The Musée Picasso in Paris hosts “À toi de faire, ma mignonne,” an exhibition from October 3, 2023, to January 7, 2024, spanning all four floors...

© » SOMETHING CURATED

about 5 months ago (12/08/2023)

Jatinder Singh Durhailay Reimagines Indian Miniature Painting for Modern Times - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 8 Dec 2023 - Share British artist Jatinder Singh Durhailay ’s mesmerising works re-envision Indian miniature painting, in particular drawing reference from paintings produced during the Mughal Empire...

© » TWOCOATSOFPAINT

about 5 months ago (12/08/2023)

Artist’s Notebook: Elisabeth Condon – Two Coats of Paint Elisabeth Condon, “Tempus Fugit,” installation view at Emerson Dorsch in Miami...

© » HYPERALLERGIC

about 5 months ago (12/07/2023)

At Miami’s “Smaller” Fairs, Textiles and Softness Take the Stage Skip to content Artist Beya Gille Gacha captures visitors’ attention at the Keijsers Koning booth with her life-like sculpture “Orant 5” (2019)...

© » KQED

about 5 months ago (12/06/2023)

The Best Bay Area Theater We Saw In 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Bay Area Theater We Saw In 2023 Nicole Gluckstern and David John Chávez Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Sofia Ahmad and Neamah Hussein in ‘Closure’ at Golden Thread’s 2023 ReOrient Festival...

© » SLASH PARIS

about 5 months ago (11/28/2023)

40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac !...

© » SLASH PARIS

about 5 months ago (11/28/2023)

40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac !...

© » TRIBLIVE

about 6 months ago (11/12/2023)

Greensburg Art Center offers unique, handmade creations at Art of Gifting sale | TribLIVE.com Art & Museums Greensburg Art Center offers unique, handmade creations at Art of Gifting sale Quincey Reese Sunday, Nov...

© » LENS CULTURE

about 7 months ago (10/09/2023)

Tokyo’s International Urban Photo Festival — T3 - A multitude of photographers at various locations throughout Tokyo | LensCulture Feature Tokyo’s International Urban Photo Festival — T3 Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!” A multitude of photographers at various locations throughout Tokyo Tokyo’s International Urban Photo Festival — T3 Scattered across more than 15 different venues throughout the city, Tokyo’s free outdoor international photo festival opens this month showing work that revolves around the theme “Link Up!” In the fifth edition of T3 Photo Festival Tokyo , visitors are invited to explore various neighborhoods while enjoying photographic exhibitions, lectures and workshops throughout the city...

© » EYE OF PHOTOGRAPHY

about 18 months ago (11/09/2022)

© 2023 All rights reserved - The Eye of Photography USA/LA, 1982 © Harry GRUYAERT – Courtesy Collection Bachelot Charlotte Perriand, Photo Poche, Actes Sud, 2022 Erwin Blumenfeld, Photo Poche, Actes Sud, 2022 Frank Horvat, Photo Poche, Actes Sud, 2022 Sophie Calle, Photo Poche, Actes Sud, 2022 Samuel Fosso, Photo Poche, Actes Sud, 2022 Klavdij Sluban, Photo Poche, Actes Sud, 2022 Photo Poche , la plus vieille et prestigieuse édition de poche consacrée à la photographie, fête ses 40 ans en grande pompe, avec un ensemble de signatures sur son stand pendant Paris Photo...

© » ARTSY

about 25 months ago (04/02/2022)

Inside Roxane Gay and Debbie Millman’s Stunning Art Collecttion in New York and Los Angeles - Artsy Art Market Inside My Collection: Roxane Gay and Debbie Millman Ayanna Dozier Apr 2, 2022 9:34am Ayanna Dozier Apr 2, 2022 9:34am Roxane Gay is known for her laser-sharp wit in cultural criticism and nonfiction works, but lesser known is her growing practice as an art collector...

© » ARTS EQUATOR

about 32 months ago (09/16/2021)

OPEN CALL: Southeast Asian Arts Censorship Documentation | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2021 ArtsEquator invites applications for the position of Researcher for a regional arts censorship documentation and publication project it is piloting...

© » ARTS EQUATOR

about 33 months ago (08/28/2021)

Open Calls & Opportunities: Aug 2021 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 28, 2021 [Updated 9 Sept 2021] ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...

© » ARTS EQUATOR

about 46 months ago (07/09/2020)

Weekly Southeast Asia Radar: Is Filipino gender neutral? ; Cultural tours go online | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER via CNN Philippines July 9, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

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about 60 months ago (05/13/2019)

Open Calls and Opportunities: May 2019 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 13, 2019 National Youth Film Awards: Call for Entry (Deadline extended) Set up to promote and celebrate youth filmmakers, the National Youth Film Awards (NYFA) is a national award that seeks to instill a greater appreciation of film, fuel the passion for filmmaking, and generate opportunities to further develop and exhibit youth talents who are highly adept in their respective fields across the various aspects of filmmaking in Singapore...

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about 62 months ago (03/14/2019)

Open Calls and Opportunities: March 2019 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar March 14, 2019 Internship at NUS Museum, May to August 2019 Applications are now open for the NUS Museum Internship Programme! Five positions are available in exhibitions, outreach and collections across the period of the university summer holidays...

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about 63 months ago (02/14/2019)

Open Calls and Opportunities: February 2019 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar February 14, 2019 Mobility First! – ASEF Cultural Mobility Initiative 2019 Mobility First! – ASEF Cultural Mobility Initiative is the Asia-Europe Foundation (ASEF)’s travel grant for artists and cultural professionals....

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about 66 months ago (12/03/2018)

Open Calls and Opportunities: December 2018 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 3, 2018 Senior Marketing Executive / Marketing Executive at Intercultural Theatre Institute Intercultural Theatre Institute (ITI) is looking for a creative and driven Marketing professional to join our small but dynamic team...

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about 68 months ago (09/27/2018)

“Tiger of Malaya”: The Body Remembers What the Archive Cannot Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Monospectrum Photography September 27, 2018 By Corrie Tan (2,080 words, 10-minute read ) Spoiler alert: this essay discusses certain plot points about Tiger of Malaya in detail...

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about 69 months ago (09/06/2018)

Podcast 47: TheatreWorks' "13.13.13" and SRT The Young Company's 'The Fall' | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 6, 2018 Duration : 33 mins Theatreworks’ 13.13.13 and SRT’s The Young Company’s The Fall are the two works discussed in this month’s podcast...

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about 3 months ago (02/12/2024)

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about 94 months ago (08/03/2016)

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about 97 months ago (04/30/2016)

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about 129 months ago (09/11/2013)

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about 190 months ago (09/18/2008)

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about 206 months ago (06/06/2007)

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about 210 months ago (01/25/2007)